Sunday, November 13, 2016

Blog 9: Darkest Fear #43564: No One Really Cares



Reactions to “analysis”

            Trying to understand someone art take a great amount of compassion and care from the one who is doing the analysis. While that compassion can quickly disappear, leaving a rant that rips apart someone’s expression for what it does and does not do. The amount of care that was involved writing it will still exist. With interpretation being rooted in opinion we must take comfort in that we cannot not please everyone. But the process they use to go about their argument positive or negative is vital for grow of art as a whole.


Reactions to “Criticism”

            Criticism, such a crisp word to instill fear into so many young artists. Acceptance to the idea that any criticism is helpful is what allows you to define yourself as an artist. This of course discounts my drunken uncle who’s drunkly critics during drunk Christmas carols, which leave you with an impairment of mental stability from the ludicrous criticisms stemming from said from uncle. Also, I don’t have an uncle….but if I did, I wouldn’t take him to heart. But as a society we need criticism, not only for the artists but also for quality control. If everyone stopped caring about refining their art because they knew no one was going to talk about it, the decay of the level of refinement would slowly deteriorate. Hopefully that never happens…


Reactions to “Music criticism has degenerated into lifestyle reporting”

            At this point in the blog, screaming profane language would seem ideal. But to avoid criticism on being vulgar, even those after reading this article it wouldn’t seem to matter; I won’t.  Why do we focus on shock value? Most reviews or critics have this crazy love affair with words that sound good and mean nothing. This is mainly from the fact they rarely define anything with how. Luckily enough for the marketing machine that is capitalism, we have moved the relationship with art to be more focused on the lifestyle of the artist. Why? Because those who are not majoring in music, is far more relatable to read about then what was the form, lack lustering chord progression, and production quality. This could be from people caring about the glamor of a music artist and this surely wouldn’t have any parallels with film critics…

Reactions to “Please, critics write about the filmmaking”

            I’m starting to feel like money has ruined everything great about art. Or that people are so rooted in their routine of information that the quality control of what people write about in terms of critics has never really been rallied for. I don’t think theirs an outcry from the people in regards to this topic. If anything it could be why so many people are against reading critics reviews for them not believing in their opinion. I personally think if you care about critics’ thoughts, you should refine which critics you actually engage with. If you only enjoy zinger words like “elegant, edgy, refreshing, or defining” with no recount on how or why, then you will find no trouble in engaging with a variety of critics. I think we should ask from them. That being said, it shouldn’t be too intellectual that it would alienate everyone. Maybe educational reform is needed…..more then I already thought.


Reactions to “Devaluation of music: It’s worse than you think”



Dear god, I know I don’t ask for much, and recently I feel that you might owe us one after this last week. But how have we fallen to astray. Could this be the greater ripple effect from cutting so many art programs from schools? Could this be from the entertainment companies’ understand of marketing? Could this be from the amount of hours the average American works and the time in which they have to care about this issue being so small that it is a never-ending cycle from hell? Simply, more likely….yes. I feel like this harks on the power of social identification and esthetic. What one might gravitate to could involve so many different social conditions that bring them to the acceptance toward enjoy and not questioning their choice. Could be they simply don’t care, “its music” and or they found a camp, enjoy their camp, and simply don’t enjoy change. Could be the identification with a lifestyle they wish they had, letting the song be an escape from how they see themselves. Could be, that a song or artist, esthetically supports ideals they have trouble expressing themselves, and everything else becomes accepted as ideal personality shifts towards their social identification. Regardless of why types of music are accepted as gospel pillar of art’s creation, I hope that the level of message and analysis of their (future art) continues to work hard to strive away complacency.   

Saturday, November 5, 2016

Blog 8: This is the way the world end, This is the way the world end, not with a bang but with the mass corruption of our informational tools

Blog 8

Reactions to “Only in America: The Unique Status of Sound Recordings under U.S Copyright Law and How It Threatens Our Audio Heritage.”

            U.S copyright law is an amazing complex web of … unique perimeters. While a variety of words could better describe it, these laws were made to support and protect intellectual property. One huge issue when it comes these kinds of lawsuits is it citing which law or act did pass and interpret the words to their advantage. This has allowed a majority of the issues that plague sound recording today. With corporations being an entity with larger sums of money then an average citizen, this allows them to collect and hold the rights to huge sums of copyright.  Luckily we had a cap on how long one can hold on to a copyright. But that doesn’t always work out. A reissue of copyrights are more common and more important for today’s market, which is horrible for those needing music for their concerts or needing to study a work for their research. Giving me the wish for changing the laws, which quickly lead to remembering the state of the world right now, and knowing most laws given to congress have the same odds of passing no matter what public opinion is on the issue. If you are fighting for the side with less money then you will most likely lose. Even with that said; the academic community should be their own bubble. While the terminology of that kind of bill could easily be distorted, the idea of giving colleges a pass on these copyright constraints would allow scholarly studies to flourish a bit more. 

Reactions to “How streaming media could threaten the mission of libraries”

             Lovely, instead of buying music, we rent it…I think my favorite part about this was the disconnection between the artist the consumer. While personally I agree that downloading everything is a waste of space with how streaming works now. We need to be able to keep things we enjoy other then a playlist to share. But I said personally, this should not apply to libraries. Most people who go to a library are going to one with a good reason. We shouldn’t hinder a community’s education because companies are trying to piggyback on the education debt till it crashes and burns. (Companies make the colleges pay more for access, makes colleges spend more money for that access, which makes the school more expensive, which means they need to cut costs, which keep those teachers adjunct, which pisses off the teachers who then piss off the students, which makes them temperamental so they stress eat, which leads to why there are no blueberry muffins left in the library coffee shop after 8am bib) All jokes aside, this isn’t funny, this allows companies to have all power in relation to where our content is held. For profit entities with that level of power is only asking for corruption to grow and profit from surrounding citizens.

Reactions to Belfer Audio Archive

            The Belfer some lovely programs within it. These project stem from the resources by Syracuse University. The Sound Beat project has these cool archive episodes that showcase old audios within their archive and talk about its history and additional thoughts about the music. Pairing these old recording with their history in a small blurb is fantastic to gain information quickly about a recording. Their first episode was posted March 4, 2011 and it was about Les Paul’s horrible car accident.  Another big program is the Belfer Cylinder Digital Connection, which gives online access to the cylinder recordings they have. This is an ongoing project with new addition regularly. They have a surprisingly limited set of solo accordion music, but hopefully that grows in time.

Reactions to Nation Jukebox Project

            The Nation Jukebox Project project is from the Library of Congress. These historical sound recordings are made free to the public. In addition, this project has other libraries and archives contributing to this project to help grow this resource. I was very happy with my browsing of this project’s archive. I found some lovely yodeling pieces. One that was quite impacting to my current mood was “Sleep, baby sleep” by Ward Barton. It was perfect way to end my browsing.